Musicians and composers often use the circle of fifths to describe the musical relationships between pitches. The circle of fifths organizes pitches in a sequence of perfect fifths, generally shown as a circle with the pitches (and their corresponding keys) in a clockwise progression. It is usually illustrated in the form of a circle. This order places the most closely related key signatures adjacent to one another. Continuing the pattern from F returns the sequence to its starting point of C. ![]() If C is chosen as a starting point, the sequence is: C, G, D, A, E, B (=C ♭), F ♯ (=G ♭), C ♯ (=D ♭), A ♭, E ♭, B ♭, F. (This is strictly true in the standard 12-tone equal temperament system - using a different system requires one interval of diminished sixth to be treated as a fifth). In music theory, the circle of fifths is a way of organizing the 12 chromatic pitches as a sequence of perfect fifths. ![]() Relationship among tones of the chromatic scale Circle of fifths showing major and minor keys
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